Makers' surnames include: Rant, Ray, Rayment, Raymond, Raynes, Raynsford, Recordon, Redstall, Reed, Renouf, Rice, Richardson, Rigby, Rimbault, Risbridger, Rivers, Riviere, Robb, Robin, Robinson, Rogers, Rooker, Rose, Rouch, Rudrupp.
Makers' surnames include: Ince and Mayhew, Ireland, Jackson, Jakeman, Jarratt, Jefferys, Jenkins, Jersey, Johnson, Jones, Jordan.
Makers' surnames include: King, Kipling, Kirk, Knight, Knottesford.
Makers' surnames include: Lagisse, Lamb & Webb, Lambert, Lampe, Land, Latham, Lee, Leroux, Lestourgeon, Lindsay, Liptrot, Loddington, Lowndes, Lumpkin.
Makers' surnames include: Naylor, Nethercott, Neve, Newman, Newton, Nicolason, Nicholson, Norcott, Norris, Norton, Ogden, Oosterwyck.
Makers' surnames include: Tawney, Taylor, Templer, Thornton, Thorp, Threlkeld, Thuret, Tomkins, Tomlinson, Toppin, Toulmin, Tregent, Trewinnard, Trubshaw, Turnball, Turner, Tyler.
Includes correspondence, photocopies of seventeenth- and eighteenth-century newspaper extracts, brochures, journal and newspaper articles, cutouts of catalogue listings, photographs and notes.
Includes correspondence, photocopies of seventeenth- and eighteenth-century newspaper extracts, newspaper articles, cutouts of catalogue listings, photographs, notes, and a transcript of Gretton's accounts of 1694.
Includes correspondence, journal articles, cutouts and printouts of catalogue listings, brochures, photographs and notes. Also includes an early print of Simon Gribelin's engraving Pope Gregory sending St Augustin to convert the English.
Includes correspondence, cutouts and photocopies of catalogue listings, newspaper articles, draft articles, photographs and notes.
Includes correspondence, cutouts and photocopies of catalogue listings, journal articles, draft articles, photographs and notes.
Makers' surnames include: Dent, Edlin / Edlyne, Finch, Gardner, Gerrard, Gordon. The file contains correspondence, photocopies of eighteenth-century newspaper extracts, cutouts and photocopies of catalogue listings, photographs and notes.
Edward Banger was the apprentice of Thomas Tompion (1639–1713). The file includes handwritten notes on mechanical watch movements, list of repairs?, photographs and negatives.
Charles Hobson (1907–88) was a clockmaker and a honorary freeman of the Clockmakers' Company. File includes C. Alix's correspondence with Hobson; correspondence with Daniel Parkes regarding Hobson's Choice, a book of sketches of English bracket clock repeating work by Hobson, Allix and Harvey (1982); published reviews of Hobson's Choice; notes; copy of certificate of registration of Hobson Bros; photocopies of Hobson's letter to Col. Quill regarding his will; and an obituary of Hobson, published in Antiquarian Horology (Spring 1988).
Includes Charles Allix's correspondence with C. Jennings regarding Mudge clocks and portrait; correspondence with solicitors regarding the valuation of his collection after his death in 1980; three photographs and one drawing.
Frank Mercer (1882–1970) was a chronometer maker; his father was the founder of Thomas Mercer Ltd, a firm of makers of chronometers and precision equipment based in St Albans, dating back to 1858. File includes obituaries of Frank Mercer, biographical articles about Thomas junior and senior, an article about the firm's centenary, etc.
Includes letters, copy catalogue pages, eight photographs and slides.
Includes catalogues, photocopies of press articles, hand-drawn plan of Le Forges à Montécheroux, photographs and negatives, and related correspondence.
Includes a photocopy of an article on "The Description and Use of a Table-Clock" by Benjamin Martin (1704–182), scientific instrument maker, and related correspondence; and Lord Spencer's correspondence with Colonel Quill regarding clocks by Thomas Mudge, with photographs.
John Travers (1849–1937) was a marine chronometer escapement maker based in Ramsgate. File includes Travers' original correspondence; press cuttings relating to the Travers family; John Travers' obituary published in The Horological Journal (1938); notes and correspondence relating to his chronometer-fusee engine, and photographs.
Includes correspondence, handwritten notes and photographs of various Vulliamy clocks sold at different auctions, photocopies of sales catalogue pages, a photocopy of Thomas Reid's letter to B.L. Vulliamy of 1822, and Charles Allix's article "A mid-18th century alarm by Gray and Vulliamy" (Antiquarian Horology, Spring 1994).
Originally untitled, this file contains correspondence, photographs, postcards, notes, catalogue extracts etc. mainly relating to various clocks and watches and their sales. Includes: Delander watch no. 298; a spring balance clock and alarm in a solid rosewood case delivered to the Duke of Leinster in 1826; month–going longcase clock by David Lestourgeon; striking bracket clock by Edward East; Tompion longcase clock.
This series contains scrapbooks of press cuttings, excerpts from publications and ephemera relating to horological news and curiosities.
41 pages. Includes royal palace clocks; clocks of Salzburg, Loches and Milan; the Christ (or the Twelve Apostles) clock at Goslar, Germany; clocks around the world (Ceylon, the USA, France, Italy, Holland, Belgium, Poland) and Britain; Michael Bateman's article on "Timing the Future"; watch exhibition at the Hague; Big Ben; Wells Cathedral clock; Timex Time through the ages brochure; tower clocks; notes on curious types of clocks (shadow clock, clock jacks, silent clock, Act of Parliament clock, water clock, sundial stained glass window); Alex Lloyd's article on collecting old clocks; Salisbury Cathedral clock; sundials; Jens Olsen's clock; clocks at the Nottingham Antiques Exhibition; clocks of Rothenburg and Nuremburg, etc.
41 pages. Includes Honeybone clock at Bristol; clock collection at Belper; "From Clock-watch to Wrist Watch" and "The Rare Grandmother Clock”, articles from Country Life Annual 1955; "Sixteenth century and earlier public clocks" list by G. H. Baillie; clocks of Denmark, Holland and Germany; clocks of Coventry and Winchester; auction sale of Tompion long case clock; "A clock to time the Earth", an article on John Harrison by Alben Philips; floral clocks; copy will of Thomas Honeybone; extract from Cats in the Belfry by Doreen Tovey; Jens Olsen's world clock brochure; Guinness Festival Clock; Westminster Abbey clock overhaul; The Musselburgh Tolboth clock; Ilbert horological collection; the world' first astronomical clock at the Science Museum; extract from The Dean's Watch by Elizabeth Goudge
This series contains a typescript volume of Honeybone family history.
Typescript, hardback. Includes sections on family trees, name origins, reunions, circulars, obituaries, Honeybone clocks, etc. The Honeybones were Mildred Frederiksen's maternal family; William Abraham (b.1887) was her cousin.
This series contains prints from microfilms and photocopies of British newspaper extracts mentioning seventeenth- and eighteenth-century watches and watchmakers, compiled and annotated by Jeremy Evans. The newspapers include mainly the Daily Advertiser and other contemporary local papers such as The London Gazette, but twentienth-century catalogues and other publications are also present. Topics include mainly losses or thefts of watches, but also sales of goods, debts, bankruptcies, marriages, deaths, wills, appointments, absconsions, elopements, criminal charges, etc. The files also include some photographs of watches and clocks. Please note that some of the microfilm prints are not easily legible and in a few cases Jeremy Evans' attempts to decipher or identify the surnames were tentative, and alterative spellings of surnames are often provided.
Main dial: blue-grey, typical Byrne gesso corner small dial, two dials on one slide.
Main dial: eight-day arched, autumn lady (Ceres?) high oval breakarch, fancy gesso, morning glories and dianthus, well painted, very fine dial floral corners.
Moon faces: jolly-looking, red cheeks. Moon scenes: ship with lateen sail; landscape with red church house.
Main dial: off-white geometric corners with details, long-tailed birds in centre. False plate: cast iron.
Main dial: four-seasons ladies, white-faced Greco-Roman, ladies corners, gold band on outside chapter ring. Hemispheres: North America, ecliptic below equator.
Main dial: off-white four continents, well and distinctively painted - not usual sort. Hemispheres: North America, ecliptic below equator. False plate: cast iron.
Main dial: very rare level Roman, green background to corners, roses and auriculas, cherries in centre.
Main dial: fat pink roses, hastily done in corners with gold leaf in corners. Hemispheres: maps, North America on right, ecliptic below equator. False plate: cast iron.
Moon faces: pop-eyed, pink cheeks, slightly pink nose. Moon scenes: ship at sea; girl in red seated by rocks and tree with hay fork [?]; well painted.
Main dial: flowers corners with gold, two birds on flowers dial centre. Complete strip and repaint, breakarch all gone, repainted with my idea.
Main dial: gold-decorated lozenges corners with morning glories, small rose garland dial centre, yellow oval with roses.
Main dial: gold-decorated lozenges corners with morning glories, small rose garland dial centre, yellow oval with roses.
Main dial: small geometric apex in corners, morning glory as well, garland with one large rose dial top centre; large pears etc in breakarch.
Moon faces: pale, pensive and dreamy. Moon scenes: smaller ship at sea; house on bank.
Main dial: four-seasons corners. Hemispheres: good maps; North America on right, ecliptic below equator.
Moon faces: very red cheeks and noses. Moon scenes: ship at sea; windmill.
Main dial: shell and geometric corners with Greek key banding, two birds dial centre. False plate: cast iron.
Main dial: small fans, morning glory and gold leaf roses corners; shells and seaweed dial centre. False plate: cast iron.
Main dial: shells and seaweed corners; long tailed bird centre; ship at sea in breakarch.
Main dial: roses in lattice corners, similar to Walker and Finnemore work.
Main dial: off-white, fat pink roses corners with reverse fan; three stylized peacock feathers top dial centre.
Main dial: cows by lakeside top corners, blue clad fisherman bottom corners; two blue-clad fishermen in boat in breakarch. False plate: cut from old dial with Arabic numerals, roses and gold ovals in corners.
Main dial: gold in corners with pink flowers, two roses centre, decorated ribbon below date aperture. Hemispheres: maps; North America on right, ecliptic below equator. False plate: cast iron, faint trace of Walker left.
Moon faces: eyes close together. Moon scenes: ship at sea; girl on rocks, details of foliage scratched in painting.
Main dial: castles corners; battle of Waterloo in breakarch, well painted Duke of Wellington missing; two birds on roses dial centre. False plate: cast iron.
Moon faces: pale, dreamy. Moon scenes: ships with spread sails; swan.
Moon faces: round-eyed, pink nose. Moon scenes: ruined abbey; ship at sea; blue-clad fishermen.
Main dial: gold flowers and peaches in corners. Hemispheres: maps. False plate: cast iron.
Moon faces: squinty-faced, not attractive. Moon scenes: cottage; small boat.
Main dial: off-white, roses and gold corners; very well-painted background and Adam and Eve. False plate: cast iron.
Moon faces: pop-eyed, very red cheeks and nose. Moon scenes: log-like ship; yellow ruined temple.
Main dial: roses in gold corners. False plate: cast iron.
Main dial: cream background; gold ovals in corner with fat pink roses and lots of fine lines; garland lower centre, lead plug. Hemispheres: good maps. False plate: cast iron.
Main dial: pink background, gold leaf flowers, fine black detail. False plate: cast iron.
Main dial: fan corners with whirligig border.
Main dial: gold squared anchor and gold flowers corners; breakarch cottage on left, church on right, ship rocking. Hemispheres: unusual corners.
Main dial: creamy, very elaborate morning glories; fan in breakarch with gold and blowsy large rose.
Main dial: complicated artwork circles, diamond centre; ovals in breakarch, sombre effect. False plate: cast iron.
Main dial: complicated artwork circles, diamond centre; ovals in breakarch, sombre effect. False plate: cast iron.
Main dial: gold wheatsheaf, heavy L-shaped corners. Hemispheres: maps.
Images of dials made by William Francis, a Birmingham dial maker active in the 1810s–1830s.
Main dial: breakarch automata, shagreen centre, name in gold, fan corners. Originally rocking ship in breakarch; clockmakers changed this to two figurines, one with short axe. False plate: cast iron.
Main dial: blue background, four Evangelists, well painted, gold band. Hemispheres: maps, North America on right, ecliptic above equator. False plate: cast iron.
Moon faces: pop-eyed, red cheeked. Moon scenes: ship at sea; church by waterside.
Main dial: off-white, bronze powder background four Apostles, gold band outside chapter ring. Hemispheres: North America on left. False plate: cast iron.
Main dial: small downhill castles corners, fantastic ruined house.
Main dial: four seasons, funny faces. Hemispheres: gold pagodas. False plate: cast iron.
Main dial: off-white, flared tulips on gold corners with unusual border. False plate: cast iron.
Image of a dial made by Josiah Hayes, a Birmingham dial maker active in the nineteenth century.
Main dial: gold flared Arabics on dark blue chapter ring; bluebell inn in breakarch, mountain in background; man with four seasons in corners, long clay pipe. False plate: cast iron.
Images of dials made by Hipkiss & Harold, Birmingham dial makers active in 1780s–1800s.
Main dial: off-white, flame tulips in gesso-framed corners. Hemispheres: maps, Africa on left. False plate: cast iron.
Main dial: off-white, flared tulips, gesso-framed corners, carnation in centre.
Main dial: off-white, green fan corners, pink centre, framed in yellow ochre, long-tailed bird, Wilson-style, with foliage in background. False plate: cast iron.
Main dial: pheasants with backgrounds corners, stylized baskets of flowers dial centre. False plate: cast iron, marked "Hobson".
Main dial: pheasants with backgrounds in corners, cottage in centre. False plate: cast iron, marked "Hobson".
Main dial: corners well painted. Hemispheres: scenes in humps.
Main dial: stylised wheat ears in corners with decorated band; grotto and fortress in breakarch with rocking ship. False plate: cast iron.
Moon faces: round-eyed, jolly looking. Moon scenes: ship at sea; large cottage on bluff.
Main dial: off-white, very elegant gesso, high oval in top, goddess holding palm leaf. False plate: cast iron.
Main dial: modified fan corners, green, gold, red, brown shells with seaweed, some gold in breakarch. False plate: cast iron.
Main dial: gold flowers in corners, octagon in breakarch, fish egg in it, flowers either side water, bird above centre.
Main dial: small morning glory and roses corners. Moon scene: large ship at sea.
Main dial: slight blue-grey tone, moss and full roses corners impinge on chapter ring; girl with funny dog in high oval breakarch. False plate: cast iron.
Main dial: blue-grey four-seasons ladies, gesso surround. Hemispheres: detailed maps with outside numbers. Named false plate.
Moon faces: very serious. Moon scenes: small ship at sea; tower by lakeside. False plate: iron.
Main dial: off-white, fan corners with gold. Very bright small birds in centre. False plate: cast iron.
Main dial: rose top, moss rose and vetch, no gesso, bold painting, all script, decorated date aperture. False plate: cast iron.
Main dial: fully-painted centre, scene at an inn or house; cornucopia with fruit and flowers in corners.
Moon faces: round-eyed, red noses, pleasant expression. Moon scenes: ship at sea; lakeside cottage, red roof.
Main dial: sweet pea and primula gesso-framed corners, pale blue-grey background paint.
Main dial: blue-grey diamond centre, scrolling spandrel-type gesso corners. Hemispheres: North America on left, ecliptic below equator. False plate: cast iron.